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Changer d’image – Lettre à la bien-aimée
1981: at the moment the left won power, French television commissioned Godard to make a film on the theme of change. Like Lettre à Freddy Buache, this film is born of the impossibility of carrying out the commission. For the space where change appears is not the image but the gap between images.
When three young women receive shocking videos anonymously, a nightmare is reawakened that ignites a thirst for bloody vengeance. They embark on a journey to locate the house, their sadistic…